Lucid Future
A Spiritual Adventure:
This Story is about a personal spiritual quest. Lucid Future discloses a psycho-spiritual
reality which underlines our daily lives. This aventure explains and defines
the undercurrents of spiritual energies that flow just beneath the familiar
reality to emerge as a new world paradigm, optimistic and positive.
We are a part of the new changing reality, fortunate to be born at this particular
time to participate in a positive mind change, a major event within the history
of human civilizations. This story guides us to better understanding of our
personal quests to enter the clarity, the optimism and the energy of our
new reality.
This spiritual adventure is a result of an emerging consciousness that has
been accelerating for last sevenal decades of this millennium. This story unfolds
as a synchronous event, a part of the changing mind set that is currently taking
place on this planet. We are all, at this time, stepping into a new level of
conscious existence. This new level of consciousness is affecting all forms
of
life on Earth.
A new evolutionary path is emerging and is progressively gaining force. The
above process is taking us on a new voyage, one that is heading toward an optimistic
future of spiritual awareness. We are expanding our physical senses to include
our physical senses and our extra sensory abilities, as we discard and change
our former mind set about our reality. We are all being transformed in preparation
for our positive, lucid future.
From Chapter Six: Discovering the Nature of Truth
We all have the power to change our own reality, and that power is always at
our fingertips: we can use it at any time, and the results will be immediate.
It took me several months to get over the vision I had at the lake. I found
it disturbing that I had to completely re-experience the event, which left
no doubt
in my mind about the theory of reincarnation. I had encountered so much about
this theory through conversations and books that I believed it was a fact.
This knowledge conflicted with the familiar religious conventions. However,
although
raised as a Catholic, I was not a practicing one and considered myself nondenominational.
Also, my thinking was directed at an internal struggle whether the facts of
past lives should or should not be "disclosed" when they are traumatic.
I attempted to initiate discussions about the subject with my friends, but
always fell short of telling anyone of my experience for fear of being laughed
at. I
became more of a loner, spending my time at the studio, painting. The artistic
production kept increasing and improving, eliciting favorable remarks from
other students and professors, but my social life was dull, not much to talk
about.
The painting I was currently working on was a large one, eight feet tall and
ten feet wide. The theme included human figures that were surrounded by natural
environment; it was consistent with my previous work. Yet several things had
changed: I included numerous fantastic plants that were inspired by the vegetation
that grew under the ocean, and the surrounding terrain was a combination of
tropical fauna and corals. Very colorful, the canvas also featured several
snakes and
lizards, and one bald eagle. Among the lush vegetation of the background I
included three thin humanoid figures with pale grayish skin and large glistening
black
eyes; they were hard to detect, hidden among the plants. The foreground was
dominated by three nude males, muscular and idealized. A female figure was
located in the
center and further into the illusionary space. She was dressed in a white garment,
reminiscent of those that one can observe in Egyptian tombs, worn by the goddesses-queens.
As usual, I would take occasional breaks from painting by curling up in my
favorite old chair, placed about four feet from the easel; it served the purpose
of being
my observation point for self-critiques. As I slowly scanned the painting,
looking for areas to improve upon, I remembered that sometimes I could get
a mental insight
into creativity by concentrating on one object. I started to gaze intently
at the work, with a critical eye of an expert, analyzing the proportions of
the
nude male figures. I wanted them to represent an ideal of masculine beauty
of my own time, like the artists of Ancient Greece or Rome did before me. They
were
proud to represent the male body in its ideal form. After deciding that the
proportions of the nudes did not need to be improved, I felt a sense of contentment.
The
work was well along the way. I started scanning the background, which included
the several "alien" figures; they were rather hard to find among
the fantastic plants, and were there to surprise the spectator.
As I looked into the painted alien eyes of the creature located on the far
left and near the edge of the canvas, I slowly began to hear a voice. It seemed
to
be coming from outside, but then connected directly to my brain. The voice
was saying that the extra-terrestrials did exist, and that they were from other
solar
systems. Frequently, they came from the vicinity of the constellation we call
Pleyades, and others came from around the star we call Sirius. Some were from
within our own galaxy, while others from several galaxies far away. The nature
of those civilizations varied, but one thing was certain: they were from much
older cultural constructs and were much more advanced than human beings. They
did not need this planet other than for several types of research which some
of them were conducting. A part of the research was done on humans and animals,
but in such a way as not to cause distress or damage to the subjects. Others
were here trying to help the humans to evolve into the next level of development.
This period in time was very important for the human beings; it was a transition
time that would lead into another, new consensus of reality. This new reality
would considerably improve the relationship among the entire human race, and
would bring into the foreground the importance of spirituality. "Why am
I getting this information?" I responded, thinking those words rather
than saying them, even though no one besides me was in the studio.
I could clearly perceive the response: "Because you have been communicating
with us in your previous life times, and are ready to accept this information
consciously during this one. There are a number of human beings that are currently
receiving our messages and have been involved with us for several incarnations.
Some are people that are working with us for the first time. "I felt a
strong urge to meet the entities in person, and even better, visit one of their
crafts.
I was always interested in the UFO phenomena, and through the years read a
number of books and articles about the issue. My interest in the extra-terrestrials
was suddenly enhanced by this telepathic encounter. "I would like to meet
with you soon," I thought, and tried to intuitively
direct the message to the alien beings that were communicating with me.
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