films written, directed, photographed & edited

(click title for images)

WHEN IT WAS BLUE (*film or performance version: 2008, double-projection 16mm, 60-68 minutes)
LIGHT WORK  MOOD DISORDER (*film version: 2007, double-projection 16mm, 27 minutes)
LIGHT WORK I (2006, 16mm-HD, 8 minutes)
SHADOWS CHOOSE THEIR HORRORS (*video version: 2005, written w/ Winsome Brown, co-produced by Bard Music Festival. 16mm to digi-beta, 31 minutes)
MEET ME AT THE ARCH (2005, video phone, 5 minutes, collaborative movie made with fellow Tribeca Film Fest Jury members)
THE TIME WE KILLED (2004, 16mm, 94 minutes)
THE SONS OF BITCHES TURNED OUT THE LIGHTS AGAIN (2003, 16mm, 3 minutes, silent)
FEAR OF BLUSHING (2001, 16mm, 5.5 minutes)
SKINNY TEETH (2001, video, 7 minutes)
DARLING INTERNATIONAL (1999, co-director M.M. Serra, 16mm, 22 minutes)
WE ARE GOING HOME (1998, 16mm, 10 minutes)
CHRONIC (1996, 16mm, 38 minutes)
THE GIRL'S NERVY (1995, 16mm, 5 minutes)
CONFIGURATION 20 (1994, 16mm, 12 minutes)
MONSTERS IN THE CLOSET (1993, 16mm, 15 minutes)
TASTE IT NINE TIMES  (1992, 16mm, 6 minutes)
GIRLS DAYDREAM ABOUT HOLLYWOOD (1992, 16mm, 5 minutes)
ELATIONS IN NEGATIVE (1990, 16mm, 5 minutes)

film performances

WHEN IT WAS BLUE (2008, 16mm double-projection, 65-68 minutes, with live original music by Skúli Sverrisson) Presented at The Toronto International Film Festival 2008. A 54minute rough-cut was performed at the Museum of Modern Art 2005.

LIGHT WORK  MOOD DISORDER (2006-2007, 16mm, 2-4 screens, 18 - 28 minutes) Performed at the Wexner Center, Rotterdam Film Festival, Dundee Contemporary Arts Festival: Kill Your Timid Notion, Tonic, and other venues. Original music written and performed by Anthony Burr.

SHADOWPLAY (2006, 16mm to mini DV, 13.5 minutes)
Film/video for live dance performed and choreographed by Ariane Anthony, music by John Stone.

SHADOWS CHOOSE THEIR HORRORS (2005, 16mm-digi-beta, 34 minutes) Presented at the Bard Music Festival, the Richard B. Fisher Center for the Performing Arts, August 13, 2005 with the American Symphony Orchestra's Performance of Aaron Copland's Grohg (1922-25, rev. 1932), conducted by Leon Botstein. Co-produced by the Bard Music Festival.

HE WALKED AWAY (2003-2006, 16mm double-projection, 17 minutes) Performed at Rotterdam Film Festival, Dundee Contemporary Arts Festival: Kill Your Timid Notion, and Tonic, with composer Anthony Burr. Performed at Toronto International Film Festival 2003 with musicians Erik Hoversten and Dave Cerf. Also performed at Tonic in NYC and at the City Theater in Reykjavik, Iceland with musicians Skuli Sverrisson and Hilmar Jensson . And performed at UCSD with musicians Anthony Burr and Eliza Slavet. (Live film & music performance, two 16mm projectors overlapping color and black & white film images by Reeves.)

UNTITLED (2004, 16mm triple-projection, 45 minutes) Performed at the Roulette Mixology Festival at Location One in New York 2004. Audio/visual trio: Zeena Parkins, Jennifer Reeves, David Kean. Immersive pieces for multi-projected imagery with Jennifer Reeves: film, projectors, glass, paint, needles; multi-channel sound with David Kean and Zeena Parkins: electric harp/bolt, brush, lid, electric ribbons, pedal steel gt, buchla suitcases, thunder, software.

SWAMP PEOPLE (2002, 16mm, 6 minutes)Performed at St. Marks Poetry Project & Robert Beck Memorial Cinema in NYC. (April 2002 and July 2002) Live film & poetry with poet Lisa Jarnot.

sound design

DOUBLE YOUR PLEASURE (2002, sound design for the film by M.M. Serra, 3 minutes)

THE MONEY (2000, sound piece on State of the Union CD, produced by Elliott Sharp, 1 minute)

awards & grants

LIGHT WORK  MOOD DISORDER Wexner Center Capital Media Arts Program, Ohio State University, 2007. Marion McMahon Memorial Award, from the Images Festival in Toronto, 2008.

WHEN IT WAS BLUE Wexner Center Media Arts Program, Ohio State University (Editing Residency). Finishing Funds Award from Experimental Television Center, supported by Electronic Media and Film Program at the New York State Council on the Arts.

THE TIME WE KILLED Berlin International Film Festival, International Forum for New Cinema, The FIPRESCI International Film Critics Prize. Tribeca Film Festival, Best NY, NY Narrative Feature (sponsored by Post Factory). OUTFEST, Special Programming Committee Award for Outstanding Artistic Acheivement. New York State Council on the Arts Grant, 2003. Andrea Frank Foundation Grant, 1999.  Princess Grace Award, 2000. Recipient of the John H. Johnson Film Award (Princess Grace Foundation).  Fiscal Sponsor: Women Make Movies, Inc.

FEAR OF BLUSHING Black Maria Film Festival, Juror's Choice. Eastman Scholarship Grant, 1998.

DARLING INTERNATIONAL Sundance Film Festival, Honorable Mention short film.  Cinematexas Film Festival, Cinematography Award. The New Festival, Vito Russo Award. UCSD Research Grant, 1999.

WE ARE GOING HOME Black Maria Film Festival, Juror's Citation.   Ann Arbor Film Festival, Film Co-op Award. The Waggaman Film Completion Grant, 1998 .

CHRONIC   Oberhausen International Short Film Festival, Main Prize of the International.  Competition & First Prize from the Jury of International Film Critics.    Shorts International Film Festival (NY), First Place Experimental Film.   Black Maria Film Festival, Juror's Choice.   Charlotte Film Festival, Juror's Choice, Experimental Film. Ann Arbor Film Festival, Tom Berman Award for Most Promising Filmmaker & the Screening Committee's Choice Award for Narrative Integrity. Jerome Foundation Production Grant, 1995.

CONFIGURATION 20   Black Maria Film Festival, Juror's Citation.

MONSTERS IN THE CLOSET Torino Gay & Lesbian Film Festival, Special Mention.

Jacob Javits Fellowship for Graduate Study (several films completed during this fellowship) 1997-2001. University of California, San Diego, Visual Arts Department.