 |
| Solo
Exhibitions:
| 2008 |
Swarm Gallery |
Oakland, California |
| 2007 |
ampersand international arts |
San Francisco, California
|
| 2006 |
Southern Exposure |
San Francisco,
California |
| 2004 |
Garfield Artworks |
Pittsburgh,
Pennsylvania |
| 2004 |
ampersand
international arts |
San Francisco,
California |
| 1996 |
Wall-to-Wall
Studio Gallery |
Pittsburgh,
Pennsylvania |
|
|
 |
| Selected
Group Exhibitions:
| 2009 |
Sworn In, Future Tenant |
Pittsburgh, PA |
| 2008 |
Everything takes its toll on everything,
AquaMiami |
Miami, Florida |
| 2008 |
Boomerang, Hayes Valley Market |
San Francisco, CA |
| 2007 |
Memorial Leaves Devastation..., Gallery
of Urban Art |
Oakland, California |
| 2007 |
Monter Drawing Rally, Southern Exposure |
San Francisco, California |
| 2006 |
Wave of Mutiliation,
Stay Gold Gallery |
Brooklyn, New York |
| 2006 |
West Coast Windows,
Samson Projects |
Boston, Massachusetts |
| 2006 |
Tooth and Nail,
Stay Gold Gallery |
Brooklyn, New York |
| 2006 |
Close Calls 2006, Headlands
Center for the Arts |
Sausalito,
California |
| 2006 |
Sketch, Memorial Union
Gallery, UC Davis |
Davis,
California |
| 2005 |
Paper!
Awesome!, Pigman Gallery |
San Francisco,
California |
| 2005 |
You Are
Here, KALA Art Institute |
Berkeley, California |
| 2005 |
Winter
Invitational, telephonebooth |
Kansas City, Missouri |
| 2004 |
Motherlode
(collaborations w/R. Gutierrez), 111 Minna |
San Francisco, California |
| 2004 |
Engage!, Haley Martin Gallery |
San Francisco, California |
| 2004 |
Portrait
Show, Needles & Pens |
San Francisco,
California |
| 2004 |
Dye
Hunting Boats, Mimi Barr |
San Francisco,
California |
| 2004 |
Paper!
Awesome!, Mimi Barr |
San Francisco,
California |
| 2004 |
Collector's Edition, at
Triple Base |
San Francisco,
California |
|
|
 |
| Awards:
| Artist in Residence, Headlands
Center for the Arts 'Project Space'. Sausalito,
CA 2006 |
| KALA Board
Prize, KALA Art
Institute. Berkeley, CA 2005 |
|
|
 |
| Education:
| Carnegie-Mellon
University, BFA 1991 |
|
| Statement:
| Sarah infuses her drawings
and installations with materials like sawdust,
oxidized metals and burned wood to explore ideas
of impermanence. Staging and arranging highly
stylized depictions of nature together with
allegorical symbols, her romanticized narratives
find beauty in decay and hope in nature that
it may continue to transcend and endure all
that we heap upon it. |
|
|
| |
|
|