Surprise Visit
Introduction: This one is set twenty years
after Going Under. It's also a response to
a challenge on the Schism list which mandated: studying for
the bar exam, a thunderstorm, lunch at Jimmy's, Vicodin, and
seventh inning stretch at Camden Yard, complete with "Thank
God I'm a Country Boy," and any HLoTS character(s). It's
also the first story I've written that's entirely in one POV,
and that of an original character, Ruth Bayliss.
Summary: "Dad stops for a second and
stares down the street. 'You're about to think I'm the one
replaced by a pod,' he says absently."
Disclaimers: Bill and Tim aren't mine. Ruth
is, though.
Spoilers: Spoilers implied for the movie
Hard Core Logo, and some spoilers for Homicide, both series
& movie
Classification: Crossover (HLoTS/HCL), slash
(no sex scenes, though), challenge.
Rating: R, I suppose, for language mostly.
Feedback me! bodge38@earthlink.net
Surprise Visit
by shell
copyright 2002
I wait for Bill at Jimmy's, but he's late. I guess that shouldn't
surprise me after all these years. It doesn't matter how many
times he's been to Baltimore, he always manages to get lost—and
he still insists on driving rather than taking a limo or even
a taxi. I always thought he just didn't like it here, but
I never told Dad that.
Of course, I never go anywhere without my computer, so I
pull it out of my briefcase and get to work. I already ordered—I
was starving, and even though the selection was more than
a little limited for a vegetarian, like my father, I make
an exception for crab while in his home town.
I spent so much time and energy focused on civil rights law
while in school that I really had to bone up on everything
else, especially criminal and contracts. The bar exam was
still a couple weeks away, so it was time to quit fucking
around. It was times like this when I wondered why the fuck
I'd ever gone to law school—I had a great job, and even
if my research wasn't having a direct impact, so what? I didn't
have to decide that my purpose in life was to make this country
safe for all disenfranchised people. Like that was ever going
to happen.
To tell the truth, I think the real reason was that I wanted
to give something to my father, the man who'd saved me at
age eight, then adopted me at age nine. Sure, it meant the
world to him when same sex marriage became legal in Canada—he
and Bill renewed their vows in Vancouver that year—but
it pissed all of our friends and family off that their partnership
wasn't officially recognized in the US. So after a BA and
MS in sociology, and several years working with like-minded
sociologists, anthropologists, and others researching hate
crimes, cults, and the evolving views of American culture
on gays and lesbians, I decided I wanted to take a more pro-active
stance.
I didn't have a clue how I was going to do it, though, until
I was talking to my old roommate, Mickey the Neuron, ensconced
in her second post-doc at the University of Chicago.
"You want to make a difference in the world—how
Obie of you, Nature Girl! Why not do as so many have done
and go to law school? Then you can go to work for the ACLU
or something. Although I don't know how your dad would feel
about that, being a former police and all."
"Shut up, Mick—you know he'd love it, as long
as I wasn't going to be a defense lawyer. Jesus, maybe that
is a good idea..."
We'd talked for another hour, fulfilling our routine and
unquestioned roles to support each other in the almost psychic
way we'd developed over the years. I reminded her about her
commitment to pure research and her desire not to be owned
by the drug companies (thus the second post-doc instead of
a lucrative job with GlaxoSmithKline), and she reminded me
why I went into sociology in the first place. She asked after
my family, I asked after hers. She told me a little about
the research she was working on, and why it excited her, and
even though I had little to no comprehension of what was involved
in regenerating axons, I got excited for her. She told me
about the other post-doc, named Sebert, who had grown up only
30 or 40 miles from her hometown, and how they'd bonded over
escaping Appalachia. Just like always, the moment I heard
her voice, it was as if we'd never been apart.
Those conversations continued during the three years of law
school, through her marriage to Sebert (she asked my dad to
walk her down the aisle, which totally made his year), the
birth of her son, and a couple failed relationships on my
part. She'd come out to DC for my graduation, so I'd seen
her a couple weeks ago, but I still missed her.
I look up as my food arrives, along with a peal of thunder.
I hadn't even noticed the rain, but it's really coming down
out there. Maybe that's why Bill's so late. I dig in with
gusto—I really miss the mountains, miss my friends back
in Arizona, but I sure as shit couldn't get any good crab
in Flagstaff.
I'm about halfway done with my food when Bill finally appears,
his hair plastered to his skull, dripping onto the floor.
That doesn't stop that smile of his from lighting up the room
when he sees me, and it doesn't stop me from jumping up to
give him a hug and a kiss.
"Ruthie, shit, I'm sorry I'm late. Have you been waiting
long? I couldn't fucking remember where Jimmy's was, can you
believe that?"
"From you, yes. Just how many brain cells did you kill
back in the day, anyway?"
"That's not buddies. I can still find my way around
every major city in western Canada, so give me a fucking break."
We're both laughing through this whole exchange, and he gives
me a quick kiss on the cheek before sitting down. You wouldn't
know to look at him that he's in his sixties. Yeah, we all
know he dyes his hair, which he's still got a fair amount
of, and his face is weathered, but when he grins that patented
grin, you'd swear he was twenty years younger.
Dad's aged well, too. He has less hair than Bill, and it's
completely grey, but he can still pass for a lot younger than
he is. Thanks to the knee replacement he had a few years ago,
along with some serious advances in orthopedics, he no longer
needs his cane, although he still walks with a limp. I haven't
seen him since graduation, either, and I miss him.
"How's Dad?"
"He's great, lovebug, but he misses you. When are you
coming home for a visit?"
"I'm not sure—I'm hoping I can come out for the
weekend after the bar. It's too bad he couldn't join you this
time."
"Yeah, well, you know how he is when duty calls. Gwen's
retirement threw the board for a loop, and he's insisting
on interviewing replacements personally."
"It's going to be hard to find someone to replace Gwen."
He nods. "Have you heard from Mouse?"
"She called a couple nights ago, to apologize again
for missing graduation. As usual, she's totally swamped and
loving every fucking minute. They had a reviewer from the
LA Times a couple weeks ago—she's going to email me
the review, which of course was glowing. And she promised
to send me some cookies, although I'm not holding my breath."
"Tell me the truth, Nature Girl. You do know how to
make them yourself, don't you? You must be able to cook—I
know you don't eat out every fucking meal."
"Yes, I know how to cook, Billy, jesus. But I swear,
it doesn't matter how many times I've tried, they just never
turn out right. Only Miss Mighty Mouse can make the cookies
of love."
"I've always suspected there was a secret ingredient
in there somewhere."
"Uncle Chris always said that was the hallmark of a
great chef."
"He would know."
"Hey, how's Billie doing? I haven't heard from her in
awhile."
His smile grows. "You're going to have to ask her. She's
got some news, but she made me promise not to tell."
"Fuck that. She's pregnant, isn't she?"
He laughs. "You didn't hear it from me, understand?"
"That's awesome, Bill! Or should I say, 'Grandpa'?"
"Only my future grandchild can call me that, Ruth Bayliss,
so don't even fucking try."
"Yes, sir, Mr. Boisy."
"Shut up, Nature Girl."
The waitress comes by and takes Bill's order and clears my
mess. I order dessert and coffee.
"How's the job?"
"It's great. Very challenging, long hours, but I'm finally
doing the work I want to do, you know? And with the new appointees
on the court, I think we're going to go ahead with the case."
"Declaring the Defense of Marriage Act unconstitutional—Ruth,
you do remember what your dad told you about trying something
a little more in the realm of possibility, like breaking the
fucking speed of light?"
"It's gonna happen this time."
"I hope it does, Ruthie, I really do. It would mean
a lot to Tim, and to me, and a whole shitload of other people."
"Where are you going for your anniversary this year?"
"He won't tell me. Says it's a surprise. He hasn't told
you?"
"Nope. Not yet, anyway."
"Speaking of surprises, I've got one for you."
He hands me an envelope. Inside are a couple Orioles tickets.
"Let's hope this rain lets up before tomorrow afternoon."
"This is great, Bill, but I don't know—"
"You are not spending the whole day tomorrow, which
is Sunday, working and studying. I flew all the way out here
to see you, and you're spending the afternoon with me, at
the ballpark. I have strict orders from your father to entertain
you, and you know I always do what he tells me." At the
skeptical look I give him, he adds, "At least as far
as you and your sister are concerned."
"Yeah, ever since you took Sarah to get that Mighty
Mouse tattoo, you mean. You never took me to get a tattoo."
"I never gave Sarah a Strat, either, so shut up about
the fucking tattoo already!"
We're both laughing again at my traditional complaint and
his traditional answer.
"You must have some business here, too—I know
you didn't fly out here just to take me to an Orioles game."
"Yeah, I'm checking a guitarist out for Deeja's new
band. Did I mention I'll be producing her album?"
"A few times, yes. Bill, you've been producing for years
now—you don't need to tell me every time you've got
a new gig."
"Well, it's not every time that I do it for an old friend
like Deej. Anyway, I'm checking this kid out this evening,
but I've got some time before I have to be there. Care to
jam with your old man's man?"
"That'd be great, Bill. But I really do have to get
some work done first—can I meet you back at the house
in a couple hours? You still have a key, right?"
"Yeah, I have a key. I could just come hang out in the
law library—I bet there are some comfy chairs there
where I could take a little snooze. That red-eye's a fucker—didn't
get much sleep."
I know that many of my co-workers would be thrilled to meet
the legendary Bill Boisy, so I smile and agree, as he knew
I would. That way he won't have a chance to get lost again.
Sure enough, he's a huge hit, charming the pants off everyone
and thoughtfully refraining from telling embarrassing stories
of my childhood. He does tell them all that I broke his heart
by not following in his footsteps as a musician, but seeing
as my father wanted me to go to college and have a real job,
he'd gone along with it. I leave him in the conference room,
regaling all who listen with tales of Vancouver's punk underground
in the 1980s, and manage to get some work done on case law.
Then he follows me home and we jam for over an hour. I'm
a little rusty, and Bill's fingers are bothering him, but
he still beats anyone else I've ever played with, and I'm
not just saying that because he sleeps with my father. I wonder
if he realizes Jenifur's sure to be inducted into the Hall
of Fame this year. He plays me a couple new songs, and we
fuck around with our old favorites, both wishing Sarah were
here to sing with us, but generally just having a kick-ass
time. Then we eat some pizza and I send him on his way, knowing
he'll be back hours after I've gone to sleep. I don't hear
him when he comes in.
As I study, do laundry, go about my routine the next morning,
Bill sleeps in the guest room, snoring softly off and on.
It's just like being at home, and it makes me smile. I set
out the Frosted Flakes and brew a fresh pot of coffee around
11, and right on cue he emerges, hair standing up, wearing
his old grey sweats, looking sleepy until after a couple of
cups of coffee. He gives me a peck on the cheek and then goes
outside to smoke, which he only does when he's not with Dad.
He's in and out of the shower quickly, and we get ready and
head out to the ballpark. He's got a sly grin now that he's
awake, and I wonder if he has some other surprise up his sleeve.
I wouldn't put it past him to have arranged for some of Dad's
old friends to meet us, maybe Mary Pembleton, or even Meldrick
Lewis.
Sure enough, after we pay off the taxi driver, Bill casually
suggests that, since it's still an hour before the game starts,
why don't we hang out at the front of the park for awhile.
He knows I've made him, but his grin just gets bigger, a sparkle
in his eyes as he leads me over to a guy selling programs.
"Okay, who'd you rope into meeting us here, Bill?"
I finally ask, looking him in the eye. He laughs and points
over my shoulder. I start to turn around only to find myself
enveloped in long arms as the only member of my family who's
taller than I am (Bill's shorter, even though he'd never admit
it—you have to get him out of those biker boots to be
able to tell) gives me a hug and kisses my temple.
"Hi, Ruthie," says that familiar voice in my ear,
and I turn around the rest of the way so I can give my dad
a proper Bayliss greeting.
"Interviewing candidates for Gwen's job, huh, Bill?
Jesus, Dad, it's good to see you."
"It's good to see you, too, sweetie. I've missed you."
Dad lets me go with one last squeeze and goes over to Bill
for another kiss and hug. "Missed you too, Rock Star.
Slept like shit."
"Likewise, freak. Didn't fucking know what to do with
all that room. Now come on—there's a hot dog in there
with my name on it, and you do know who the Orioles are playing
today, don't you?"
"Well, it's got to either be the Blue Jays, the Mariners,
or the Diamondbacks, right? Because god knows you couldn't
possibly root for the O's."
"Too bad Vancouver never rated their own team, Billyboy,"
I chime in.
"No need to get nasty, Nature Girl. I will be rooting
for the Orioles today, because they're playing the fucking
Yankees. So come on already."
We've got great seats, which is no surprise. Bill may insist
on driving himself, but he never hesitates to use his influence
for perks for his family. Also as usual, he's made sure Dad
has an aisle seat so he can stretch his legs out.
The game's close—the Orioles are leading by one run—when
it comes time for the seventh inning stretch. Dad and I stand
up, sing along with John Denver, and Bill makes derisive comments.
We usually make it to one or two games in Camden Yard every
year, and Bill always refuses to sing "Thank God I'm
a Country Boy" and generally insults the whole Orioles
organization for keeping "such a fucking god-awful tradition."
Dad and I ignore him. I think it's a stupid song, and I would
never get caught dead singing it anywhere else, but Dad gets
so into it that I could never let him down by not singing
with him.
The home team manages to pull out a victory, and we head
out onto the street. Dad insists he wants to take a walk,
even though Bill and I can tell he's a little sore from going
up and down the stairs at the park a bunch of times.
"Take a pill, Tim."
"I'm fine, Bill."
"You're not going to feel fine later if you don't take
one now. Come on, take it already. It's not as if you're going
to run out."
"Fine. If you insist, I'll take a damned Vioxx, okay?"
"Thank you. Jesus, Tim, it's not like I'm telling you
to take one of the many varieties of expired narcotics currently
residing in our medicine cabinet." Bill turns to me.
"Guy marries me, a drunk and an addict, and he's hung
on to every narcotic prescription he's gotten over the years.
I had to clean out six bottles of expired vicodin, percocet,
percodan—it's a good thing I was never into that kind
of rush, and that he keeps me happy and sober."
"You never know when it might come in handy," Dad
protests. "Didn't you take one after you threw out your
back that time?"
"Vicodin? Fuck, no, Tim! I took one of your Vioxx—they
work better than that oxycodone shit anyway."
"You two sure have the old married couple thing down,
complete with bickering over the same fucking things all the
time."
"He loves it," Bill says. "If I stopped, he'd
think I'd been replaced by a fucking pod."
Dad stops for a second and stares down the street. "You're
about to think I'm the one replaced by a pod," he says
absently.
"Why?"
"Let's just say I've got a strange compulsion. Let's
get a taxi, okay? I want to pay a visit to an old haunt."
Bill and I share a puzzled look, but a taxi's easy to flag
down, and soon we're headed towards Fells Point. It drops
us off by the Waterfront, or what used to be the Waterfront
before Meldrick sold it to a real estate developer a few years
ago. It's divided up into condos now. I can tell Bill has
no more idea why we've stopped here than I do—we were
at the closing party, and Dad's shown no interest in the place
since then.
Dad's not even looking at the building, though—he's
facing across the street, facing the police headquarters.
He's never told me why he quit being a homicide cop, why
he never so much as set foot in that building across the street
after his old lieutenant died. I think Bill knows—shit,
Bill knows everything about Dad, of course he knows—but
he's never told me or Sarah. She and I have talked about it
lots of times, speculating what could have happened, what
the final blow was. All we can figure is, it must have been
pretty fucking traumatic, because when he talks about his
years as a detective, you can tell that job was everything
to him.
And now he's standing on the sidewalk, looking over at the
building where he spent seven years of his life, and the look
on his face—determination, fear, quiet courage—is
one I've only seen there once before, the night he guided
me and Sarah out the back gate of Church Canyon, gave us last
minute instructions and hugs, watched us for a moment, then
turned and walked back inside.
Bill sees it too. "Tim? What's going on?"
"I wonder—I bet they've left it the same. I wonder
if that cerulean blue has faded over the years. They wouldn't
put any more money into renovation than they had to."
He turns to the two of us and smiles an indescribable smile.
Then he starts to walk across the street, gesturing for us
to follow him.
"Are you sure about this, Tim?" There's concern,
maybe even worry, in Bill's voice. He's always been protective
of my father, sometimes even over-protective, but this doesn't
seem like one of those times.
He takes Bill's hand and squeezes it. "Yeah, Rock Star,
this detective is ready to face at least a couple demons tonight.
It's been over twenty years. Shit, we've been together twenty
years, and you've never seen the inside of the homicide squad.
Aren't you a little curious? Ruth, don't you want to see where
I used to work?"
"I'd like that, Dad, if you're okay with it."
"Yeah. Yeah, I'm okay with it, all right? Come on."
There's a little bite to his voice, like he's trying to convince
himself as much as us.
He hesitates for a minute when we get to the stairs out front—stands
there looking up at the lit windows on the second floor. Then
he starts up the stairs and opens the door to reveal—more
stairs.
Bill groans. "I always thought you had to be exaggerating
about climbing the damned stairs every day." Dad doesn't
answer him, just starts climbing.
A couple people are coming down the stairs as we head up,
and one, wearing a uniform, stops and looks curiously at Tim.
"Excuse me," he says, "but aren't you Detective
Tim Bayliss?"
Dad looks a little embarrassed as he answers, "Well,
I used to be, a long time ago."
"Sir, I have to say it's a real honor to meet you. My
mother still tells stories—hell, everyone tells stories
about the legendary Bayliss, zen detective, and the amazing
Pembleton, all the cases you two solved, by yourselves and
together. Lieutenant Howard, before she retired, and Lieutenant
Falsone, they terrorize all the new detectives by letting
them know how they could never compare to the greats of old."
"Lieutenant Falsone, huh? I always knew that little
weasel had more ambition than sense. It's nice to meet you,
Officer—"
"Rogers, sir," he says, trying not to laugh. "Henry
Rogers. I think you knew my mother, Lieutenant Sally Rogers?"
"She was still Sergeant Sally Rogers last time I saw
her—how is she doing?"
"She's doing great, sir—retired just last year.
She'll be thrilled to hear I ran into you. She always said
you were the kind of detective she wanted to be, that you
never lost your ability to care, that you were a true speaker
for the dead. Truth is, I think she had a bit of a crush on
you."
"Um, yeah, well, make sure you thank her for me, give
her my best. Oh, I'm sorry, let me introduce you to Bill Boisy,
my husband, and Ruth, my daughter. Ruth just finished law
school at Georgetown, and she's staying in my mom's old house
for the summer."
"Very nice to meet you, Ms. Bayliss, Mr. Boisy. And
congratulations—unless you're going into defense law."
"No, nothing like that. I'm working for a small civil
rights firm."
"That's all right, I suppose. And Mr. Boisy, I've been
a fan since I was a kid—any chance Jenifur will be doing
a reunion tour?"
"Nah, I think senior citizens like me have no business
playing rock and roll." The truth is, arthritis prevents
him from playing as well as he expects to, and even though
no one else could ever tell, he feels he'd be letting his
fans down, so he's stopped performing except for an occasional
unannounced set, usually on his acoustic. He still writes
and produces, but Jenifur played their last gig a couple years
ago.
Dad's looking a little anxious, and the kid picks up on it,
reaches out to shake his hand.
"Anyway, Detective, I'll let you get going. Truly, it
was an honor to meet you."
"It was nice to meet you too, Rogers. Your mom's a great
police, and it sure seems like she raised you to be one as
well."
"Thank you, sir. I'll tell her you said so. Oh, and
Lieutenant Falsone is here tonight—I'm sure he'll be
pleased to see you."
"Okay. Thanks, Rogers." Dad's already turned and
started up the stairs again, so Bill and I shrug at each other
and follow. We all pause with him on the landing before entering
the second floor squadroom. No one takes much notice of us
until we walk in, and then a rumpled Hispanic woman introduces
herself as Detective Martinez and asks if she can help us.
"Uh, yeah. I'm Tim Bayliss, used to be a detective here,
and I was in town and brought my family by, thought I'd show
them the squadroom, if that's all right. This is my daughter,
Ruth, and my husband, Bill Boisy."
"Of course, Detective Bayliss. It's very nice to meet
you—you're something of a legend around here. I'll just
let the lieutenant know you're here, but feel free to look
around."
"Thank you, Detective."
Dad leads us towards the interrogation room, the infamous
Box, looking around and listening to the bleating phones.
None of us says anything for a few minutes. Bill's the first
to break the silence.
"Tim, I thought Pembleton was the one who got all the
fucking hero worship around here—you never told me you
had the same reputation as he did."
"Believe me, I didn't have this reputation when I left.
Then I was the gay zen weirdo from Homo-cide—nobody
gave a shit about my clearance rate anymore. Yeah, they appreciated
that Frank and I arrested Gee's killer, but no one was sorry
to see me go."
"Tim Bayliss, as I live and breathe! What brings you
back up here after so many years?" An arm reaches up
to slap my father on the shoulder. It's attached to a short,
paunchy, greying man who walks with a swagger no doubt born
from a Napolean complex. His smile on seeing my dad seems
genuine, though.
"Falsone, I hear they put you in charge of these children—when
did that happen?"
"Oh, you know, after Howard retired. Jeez, I don't know
if there's anyone else left up here that was here in the old
days—Mike Giardello, Meldrick, Teri, they're all retired.
Well, there's Hall, Gaffney's favorite brown-nose, brown-nosing
the commissioner now, but he's hardly worth mentioning. You
still in touch with anyone?"
"Yeah, sure, a few people."
"Well, listen, it's good to see you again, really, after
all this time."
"Uh, thanks, Paul."
"Listen, Bayliss, I know I was an asshole back in the
day. I'm still an asshole, but my head's on a little straighter
now, no pun intended. The squad went to hell after you went
on leave, and it got worse after you left for good."
"You were an asshole, Falsone, but you were a good detective."
"Not as good as you, Bayliss, and don't think I don't
know that. I know some people would argue with me about this,
but for my money you were the best detective that squad ever
had—better than Lewis, Munch, even Pembleton. I'm sorry
you were persona non grata for awhile there, to me and to
some of the other detectives."
"Water under the bridge, Paul—don't worry about
it."
"After you left, Ballard went back to Seattle, Munch
went to New York, and Sheppard decided to play doctor, and
we were left with Gharty instead of Gee, and only a couple
detectives who could find their asses with a flashlight and
a mirror. I know you and I were never close, but I wanted
you to know how much I respect you as a murder police."
"Thanks, Paul. And, um, I wasn't really in very good
shape the last few times you saw me. I wasn't really on my
game after I got shot, especially after everything else that
happened that year. So if people want to remember me, I hope
they remember me at my best, when I was still partnered with
Frank."
"That's bullshit, Tim. Yeah, I know you were having
a rough time before you left, but you were still a damned
good detective. You partnered with everyone on the squad,
and you closed cases." The lieutenant pauses, takes a
look at Dad's face, and abruptly changes the subject. "Anyway,
I'm glad you're here, glad to see you. Would it be okay if
I introduced you to the squad, prove you're not a figment
of the lieutenant's imagination?"
Dad doesn't look thrilled at the prospect, but he agrees,
reluctantly. Falsone gestures us over by the whiteboard in
the corner, and I realize I'm standing by the Board, complete
with names in red and black. Half the squadroom is already
watching us unobtrusively, curious about the strangers, maybe
recognizing Bill or even Dad. The rest look up when Falsone
clears his throat and asks for their attention.
"Now I know some of you young pups think Detective Tim
Bayliss is a myth, someone Kay Howard and I made up to try
to intimidate you into actually doing your jobs and closing
cases. Some of the veterans around here know better, but have
never met the man, just seen his picture over at the Waterfront
before it closed. Well, here he is—Tim Bayliss, formerly
a detective in this squad, the best one I've ever worked with,
after which he defected to the feds and was responsible for
taking down the Eisen organization. Since then he's been running
the Adena Watson Memorial Fund, named after a murdered girl
here in Baltimore. I can tell he's embarrassed, so I'll shut
up without going into his annoying habit of making zen pronouncements
at completely inappropriate times. Bayliss, you want to say
anything to these useless so-called murder police?"
Dad is more than embarrassed—he's uncomfortable, unhappy,
maybe even a little angry, but he's always been good at putting
on a mask, and I doubt anyone but Bill and I can tell.
"Thank you, Lieutenant Falsone, for praising me so effusively
now that you no longer have to work with me. This is the first
time I've been in the squadroom for twenty years, ever since
Gee—former Lieutentant Al Giardello—got shot,
and I can't say I've missed it. Working murders can be rewarding,
but more often than not it's frustrating, depressing, exhausting,
and sometimes mind-numbingly boring; sometimes it's terrifying.
It is, however, important. When I was here, detectives used
to say that we worked for God. What you do here in this squadroom
is probably the most important work you'll ever do. Remember
that, and remember to take care of yourselves, so that you
can keep doing the work. No one else will."
I'm watching the detectives watch my father through this
short speech. Most of them look like they're not much older
than I am. They listened to their Lieutenant's introduction
with skepticism and annoyance, and that skepticism continued
as Dad started to talk. They probably expected some sort of
pep talk, or boring stories about the old days, but I think
they were impressed with what he actually said, with the unvarnished
honesty that's his trademark when speaking to the public.
I see some of them nodding in agreement at his description
of the job, and looking thoughtful as he wraps it up.
While I've been watching the squadroom, Bill's been watching
Dad. That's nothing new, of course—my father is still
strikingly handsome, and Bill certainly appreciates that,
just as he always has. Whenever they've been apart more than
a day or so, they appreciate each other even more; they held
hands throughout the game, and I know Bill will be going to
bed a lot earlier than usual tonight. There's some concern
showing on his face, though, and I wonder again what it is
that I don't know about the last days Tim Bayliss spent in
CID Homicide. As Dad finishes talking, he turns and looks
at Bill and smiles. It's a sweet smile, a smile of relief,
affection, love. Bill's smile is full of the same emotions.
I've seen these two men, my parents, smile at each other
like that countless times, but the love they share still blows
me away sometimes. I haven't met anyone that made me feel
anything like what they have for each other, and the fact
that they were both past forty when they met doesn't lessen
the envy I feel whenever I'm despondent about another failed
relationship. Of their three daughters, Billie is the only
one who's managed a successful marriage, or even a relationship
that lasted longer than six months. Neither Sarah nor I are
willing to settle for anything less than the kind of bond
we've witnessed these past twenty years, and neither one of
us has met anyone who measures up to either of our parents.
Don't get me wrong—our family is far from perfect.
There are secrets, like why Dad left Homicide. And even though
most of our arguments are affectionate rehashings of trivialities,
not all of them are, and there's not a single one of us that
doesn't have a fucking nasty temper when provoked. There were
times during first Sarah's, then Billie's, then my own adolescence
when it took little provocation for any two or three of us
to get into some pretty intense screaming matches—it
wasn't easy for two men, no matter how much they loved us
and each other, to raise three girls, especially given the
differently fucked-up childhoods we all endured before coming
together as a family.
I don't know about Billie—in some ways she remained
on the periphery, only a part-time resident of the household—but
for me and my adopted sister, despite all the turmoil, the
death threats, FBI surveillance, and everything else, despite
any knock-down, drag-out screaming matches, there was never
any doubt that we had the best parents in the world. We'd
seen the alternatives, after all, from Church Canyon to St.
George to friends in LA or Flagstaff whose parents divorced,
or hit them, or simply didn't give a shit. I had never yelled
at anyone until after I became Tim Bayliss' daughter, for
the simple reason that it had never been safe to express any
emotion. That safety and security, that love and acceptance,
made everything else okay, from the suspicious looks at school
when they realized who I was to the very real violence directed
against our family the first few years we were together.
So when Dad finishes speaking, smiles at Bill, and then smiles
at me, I go over to him and give him a hug, and feel no surprise
when Bill does the same. We both stand next to Dad, one of
us on each side, and he puts his arms around each of us and
squeezes. Then he tells Falsone to take care and walks with
us out of the squadroom, down the stairs, and out of the building.
He doesn't look back, and neither do we. I know without asking
that this has healed him in some way, and for that I'm glad.
We stop outside the Waterfront, Dad staring at his reflection
in the window.
"You okay?" Bill asks softly.
"Yeah," Dad answers, just as softly.
"No urges to confess to anything?" There's something
darker under the joking tone, and Dad turns away from the
window and meets Bill's eyes with a slight frown.
"No," he says, quiet but firm. Bill nods, looking
relieved.
"Any chance you're going to tell me what the fuck you're
talking about?" I say, more harshly than I intended.
The vibe I'm getting from them is scaring me a little. They
both turn and stare at me—I think they forgot I was
there.
Then Bill says, "That's up to your father, Ruth, but
I wouldn't count on it."
"I can't talk about it, Ruth, all right?" He's
not frowning anymore—he looks vulnerable, more alone
than he has in twenty years, and I find myself nodding, then
going up and giving him a hug.
"Okay, Dad, jesus. You're making me think I should offer
you attorney-client privilege or something." He stiffens
for a second, then hugs me back, and I see Bill's expression
over his shoulder and know there's more to this story than
Sarah and I ever suspected. I pull away, look the two of them
in the eye, and say in my best don't fuck with me voice, the
one I use with recalcitrant witnesses in depositions, "Okay,
that's it. We're going home, we're going to eat some dinner,
and you two are going to tell me what the fuck is going on."
"Ruth—" Dad starts, but Bill interrupts him.
"No, Tim, not here. Come on, let's go home."
We talk a little about what we're going to eat, but other
than that the cab ride is pretty fucking quiet. Once we get
home, I throw together a quick tofu stir fry and a salad.
Bill eats it without complaint, which is pretty damned scary
coming from him, and the silence continues until we've cleaned
up and gone back into the living room. I grab my pad and a
pen and put them on the end table next to my chair, facing
the two men sitting on the sofa across from me.
"What's that for?" Bill asks, sounding worried.
"I don't know, exactly—call it a professional
security blanket."
"You won't need it," Dad says. "There's nothing
to talk about."
"Bullshit."
"Ruthie, some things are best left the hell alone,"
Bill tells me in a placating tone.
"I'm your daughter—you can tell me anything. And
I'm a lawyer, so privilege applies, if you need it to."
"Ruth, I'm going to say this just once. You're my daughter,
and I love you, but that doesn't mean I have to tell you everything
that happened in my life before I met you. You're going to
have to trust me and let this one go."
"It seems to me that you're the one who's not trusting
me, Dad. Bill obviously knows whatever this deep dark secret
of yours is, so why can't I?" Even as I say it, I realize
how I sound—like a petulant child—but I can't
seem to help it. I'm angry, and I'm scared, and as much as
I want to know what's going on, there's a part of me that's
relieved by the stubborn refusal in my father's eyes. Bill's
the one who responds to what I've said, though.
"That's not fair to any of us, Ruth, and you fucking
well know it. Tim said it, and now I'm going to say it. Let
this go."
"I can't let it go. You guys are scaring me here, so
you have to tell me if whatever this is, whatever you did,
if it's going to come back and bite us in the ass. Is there
someone out there who's waiting for a chance to hurt you,
to hurt our family, with this? If you won't talk to me, have
you at least talked to someone else, a lawyer or whoever?"
Dad looks me in the eye. "I promise you, Ruth, there's
no one out there who can use this to hurt me or our family
in any way. I promise you that I've talked to who I needed
to talk to, years and years ago. Nothing bad is going to happen."
"I need to hear it from Bill—no offense, Dad,
but I'm not sure I trust you on this."
There's a flash of pain in his eyes, but he nods once, to
me and to Bill. Bill's not hurting, though—he's pissed,
and I can tell he's working hard to keep from yelling at me.
"Ruth, the only way this is going to come back and bite
us in the ass is if you don't fucking leave it alone. You
have absolutely no fucking reason not to trust us on this,
and I for one am fucking sick and tired of talking about it.
We're done, understand?"
The last time I heard Bill use that tone of voice was when
he caught me helping Sarah sneak wine into the house. I succumb
to the inevitable and nod slowly. "All right, all right.
I'm not happy about this, but I guess whatever it is can stay
between you two. I know you wouldn't do anything that would
hurt the family."
There's no mistaking the relief on their faces now, but I'm
not done yet. "Dad, I'll respect your decision not to
tell me about whatever the fuck you did, but you have to promise
me one thing. If something changes—if there's ever some
reason to think that this is going to cause a problem for
you—you have to promise me that you'll tell me what's
going on."
"If he doesn't, I will," Bill says harshly. "But
only if we think it's necessary."
"Dad?"
He nods slowly, reluctantly. "I can't think of a situation
where it would be necessary, but if one comes up, I'll tell
you and your sister what happened."
"I guess that's as good as I'm going to get, huh? I
swear, you two are the stubbornest sons of bitches—"
Bill barks out a laugh. "Yeah, and you, Nature Girl,
are the perfect picture of gentility and compliance. Get over
it already."
"That's not buddies," I reply, aware somehow the
spell has broken, and we're back in familiar territory. Dad
leans back on the sofa, and I can see him relaxing for the
first time since we got out of that taxicab in Fells Point.
His and Bill's hands are loosely clasped, and he's running
his thumb along Bill's knuckles. He looks exhausted, and I
realize for the first time that it's not stubbornness or a
desire to keep a secret—he's protecting me somehow.
He was scared to tell me, not because he feared some consequence
to himself, but because he was afraid of my reaction.
I'm up and over to the sofa in an eyeblink, squeezing next
to him by sitting on the arm. "Dad, do you remember what
you told me when Sarah and I visited with you and Bill in
LA, the last time, before we moved in?"
"I'm sure I told you lots of things, Ruthie—what
in particular did you have in mind?" He's trying to smile,
not very successfully.
"I was scared of getting mad at you, remember? It was
when Sarah came back with that damned tattoo. I was terrified
that you and Bill were going to split up, that you were going
to send me and Sarah away, that you weren't going to love
us anymore."
"Yeah, I remember. I was so sorry I scared you like
that, sweetie."
"No, Dad, you don't get it. That was one of the best
lessons you ever taught me. You told me that night that it
didn't matter what I did, that you would always love me, no
matter what."
Bill gets it right away, but Dad can be a little clueless
sometimes—he just looks at me, puzzled and tired.
"I love you, Dad. I always will, no matter what happens,
no matter what you did or do or say. I get angry at you sometimes—totally
fucking pissed off on occasion—but we work through whatever
it is, and I still love you."
He closes his eyes for a second, and when he opens them again,
they're full of tears. He pulls me into a hug. "Thank
you, Ruth." And suddenly I don't give a shit what he
did. That was a horrible, dark time in his life, but he got
past it and found his way, first to Bill, then to me and Sarah.
In the many years I've known him, my father has, without ever
taking the formal vows, lived the life of a bodhisattva, devoting
himself to ending the suffering and aiding the enlightenment
of all sentient beings. Whatever he did in the past is immaterial.
I hug him a minute longer, then get up. "Okay, you two,
I need to get some studying done, and you need to go to bed.
Bill, give him a massage tonight, okay? Looks like he could
use it. And try to keep it down—it's hard to concentrate
when your parents are fucking loudly down the hall."
"Ruthie!" Dad exclaims, scandalized, but Bill just
laughs and pulls him up.
"Give it up, Tim—she knows us too well. And she's
right. Come on, bed, now." They stop to wish me good
night, telling me not to study too late, and then disappear
into the bathroom.
A little later, as I'm between briefs on some supposedly
important civil case involving railroads, I hear muffled moans,
and I smile.
END
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