Thom Merrick

1963
Born: Sacramento, California

1985 / 86
A.I.C.A. New York Studio Program

1986
B.F.A. San Franciso Art Institute
Lives and works in the California, Mojave Desert

 

ONE-PERSON-EXHIBITIONS

1988
American Fine Arts, Co., New York

1989
American Fine Arts, Co., New York

1990
Standard Graphik, Köln
Galerie Rolf Ricke, Köln
Galerie Zeno X, Antwerpen

1991
Pat Hearn Gallery, New York
Galerie Ryszard Varisella, Frankfurt/Main
Ministerio de Asuntos Sociales, Madrid
Centre d’Art Contemporain, Thiers
Galerie Zeno X, Antwerpen

1992
Jack Hanley Gallery, San Francisco

1993
Galerie Rolf Ricke, Köln
Galerie Martina Detterer, Frankfurt/Main
Art & Public, Genf
Galleria Massimo De Carlo, Mailand

1994
Galerie Odilo Weber, Münster
John Gibson Gallery, New York
Espace d’Art Contemporain, Lausanne

1996
Galerie Susanna Kulli, St.Gallen*

1997
Galerie Rolf Ricke, Cologne
Sprengel Museum Hannover, Hannover*

1998
Galerie Susanna Kulli, St.Gallen
Künstlerhaus, Palais Thurn & Taxis, Bregenz
„Hand Written Wand Reliefs", John Gibson Gallery, New York
Centre d’Art Neuchâtel, Neuchâtel

1999
„Advertisementcreatures", Künstlerwerkstatt Lothringerstrasse, München
„Composition In Green and White", PS1 Center of Contemporary Art, New York

2001
„New Paintings / Cut-aways", Galerie Rolf Ricke, Köln
„New Paintings", Galerie Susanna Kulli, St. Gallen

2002
„New Paintings", Galerie Martina Detterer, Frankfurt

2003
„New Paintings", Kenny Schachter conTEMPorary, New York

2005
"Thom Merrick", Kunsthalle Göppingen zeigt im C 1, Göppingen

2006
"Thom Merrick: Installation/Painting 23.8.06 - 30.9.06", Galerie Susanna Kulli, Zurich

2007
"Working Drawings 1990 – 1997 and Quartz Mouvement", April 14 – May 24, 2007 Galerie Susanna Kulli, Zurich

GROUP EXHIBITIONS

1987
Galerie Pierre Huber, Genf
American Fine Arts, Co., New York

1989
Tom Cugliani Gallery, New York
Pat Hearn Gallery, New York
Massimo Audiello Gallery, New York
„Aus meiner Sicht", Kölnischer Kunstverein, Köln
Pat Hearn Gallery, New York

1990
„Programm VII", Galerie Rolf Ricke, Köln
„The Köln Show", Jablonka Galerie / Galerie Gisela Capitain, Köln

1991
Museum van Hedendaagse Kunst, Gent
Galerie Zeno X, Antwerpen
„The Home Show", Home Centre for the Arts, New York
„Ecart", Basel Art Fair, Basel

1992
„In through the out door", Nordenstadt-Skarstedt Gallery, New York
„Nur 72 Stunden", Die Wandelhalle, Forum für Kunst, Köln*
Documenta IX, Kassel*

1993
„Ecart", Galerie Susanna Kulli, St.Gallen
Museum van Hedendaagse Kunst, Gent
„Plötzlich ist eine Zeit hereingebrochen, in der alles möglich sein soll", Kunstverein Ludwigsburg
Galleria Massimo De Carlo, Mailand
„Nineties", John Gibson Gallery, New York
„Aus der Sammlung VIII", Kunsthalle Nürnberg, Nürnberg
„In Memory of the Future", Kunsthalle Lophem, Brügge
„Panorama – Private View", Galerie Martina Detterer, Frankfurt/Main / Galerie Jousse Seguin, Paris
Galleria Massimo Minini, Brescia

1994
„Adieu, les Frontières!", Galerie Bob van Orsouw, Zürich
„le temps d’un dessin", Galerie de l’Ecole des Beaux Art de Laurient
Laure Genillard Gallery, London
„Universe", John Gibson Gallery, New York
„Der Stand der Dinge", Kölnischer Kunstverein, Köln
„L’Objet", Villa dur Parc, FRAC Rhône-Alpes

1995
„Sculpture and Dance", Helsinki Festival, Helsinki
Kunsthalle Lophem, Brügge
„Pour un Cuteaux", Centre d’Art Contemporain, Thiers
„Boxes II", Galerie Gabriele Rivet, Köln

1996
„Wanas 1996", Wanas – Knislinge*
White Columns, New York
„Stilleben – Nature morte – Natura morta – Still life", Helmhaus, Zürich*
Galerie Zeno X, Antwerpen
„Private Collections: Martin Disler, Günter Förg, Olivier Mosset", Museum La Chaux-de-Fonds
„Form als Ziel mündet immer in Formalismus", Galerie Rolf Ricke, Köln
„It’s Only Rock’n Roll", Contemporary Arts Center, Cincinnati, OH;
Lakeview Museum of Arts and Sciences, Peoria, IL; Virginia Beach Center for the Arts, Virginia; Tacoma Art Museum, Washington; Jacksonville Museum of Contemporary Art, Jacksonville, FL, Dean Lesher Regional Center for the Arts, Walnut Creek, CA

1997
„It’s Only Rock’n Roll", Phoenix Art Museum, Phoenix, AR
„504", ein Ausstellungsprojekt der Klasse John Armleder, Hochschule für Bildende Künste, Braunschweig*

1998
„Raw Ideas", John Gibson Gallery, New York
„Thom Merrick, Lori Hersberger, CAN, Centre d’art, Neuchâtel
„I love New York", Museum Ludwig, Köln*

1999
Villa Arson, Nizza
„Mayday", Centre d’art, Neuchâtel (Traveling)
„999", Centro d‘Arte Contemporanea Ticino, Bellinzona
„Construction Drawings", Kunst - Werke, Berlin
„100 Drawings", PS1 Center of Contempory Art, New York
„Zich Ophouden Bij...", Stedelijk Museum Voor Actuelle Kunst, Gent
„The Split Personality Madman" Moskau (Traveling)*

2000
„Le Fou dedouble", Chateau d’Oiron*
„Transfert: Kunst Im Urbanen Raum", Art dans l’espace Urban, Biel*
„Air-Air", Grimaldi Forum, Monaco

2001
Project Ansitz Löwengang", Bozen
„Under Pressure: Air pressure in all its forces", Museum of Contemporary Art, Tuscon, AZ
„Under Pressure", Swiss Institute, New York
„Künstlerräume / Sammlerräume", Kunstmuseum St.Gallen, St.Gallen
„Untitled", Swiss Institute, New York

2002
„Armory Show, New York", Galerie Susanna Kulli, St.Gallen
„Tutto Bene", Halle de l’Ecal, Lausanne
„Einfach Kunst", Museum Nürnberg, Nürnberg
„Arsenal – Armory", Die Wandelhalle, Köln
„farbwerk", Former Leonische Drahtwerke, Nürnberg
„Kleine Formate", Galerie Martina Detterer, Frankfurt/Main

2003
"Perpetuum mobile - 40 years Gallery Rolf Ricke". Curated by Günter Umberg

"DA SEIN: Positionen zeitgenössischer Kunst aus der Sammlung Reinking"
20. September 2003 - 4. Januar 2004
Ernst Barlach Museum, Wedel

2004
"HDTS: High Desert Test Sites 4" Joshua Tree, Organized by Andrea Zittel, Shaun Caley-Regen, John Connell, Lisa Anne Auerbach, Andy Stillpass

2005
"L'Idiotie, Experience Pommery #2"
"Domaine Pommery", Reims, France, June-October.Curated by Jean-Yves Jounnais

"Sweet Temptations" Dialoge mit der Sammlung Rolf Ricke, Kunstmuseum St. Gallen 26.2. - 16.5.2005

"Europe in Art"
Jan. 19 - Feb. 20, 2005 Warsaw, National Gallery
Mar. 14 - Apr. 17, 2005 Bucharest, Museum of Contemporary Art
May 2 - June 5, 2005 Stams (Tyrol), Stams Monastery
June 20 - July 17, 2005 Munich, HVB Group HQ
Aug. 1 - 28, 2005 Prague, Manes Gallery
Sept. 5 - 30, 2005 Budapest
Oct. 10 - Nov. 6, 2005 Sofia

2006
"25 years Zeno X", Zeno X Gallery, October 18 - December 2, 2006 Antwerp

"HDTS: High Desert Test Sites 5" Joshua Tree, Organized by Andrea Zittel, Shaun Caley-Regen, John Connell, Lisa Anne Auerbach, Andy Stillpass

"Group Show " Daniel Hug Gallery, Los Angeles

2007
"Das Kapital, erster Teil. Bluechips & Masterpieces" April 14th August 26th", Museum for Modern Art (MMK) Frankfurt, Franfurt am Main

"Without Sun" Curated by Carole Ann Klonarides, Christopher Grimes Gallery , Santa Monica, CA and Chung King Project , Los Angeles
"Soft Core" Kim Light / Lightbox, June 30 - Aug. 18, 2007, Los Angeles

Lust For Life, Kunstmuseum Liechtenstein, September 20, 2007,Vaduz

2008
"HDTS and 2008 California Biennial" Nov., 7, 2008", Orange County Museum of Art, and High Desert Test Sites, curator Lauri Firstenberg

2009
“Born to Be Wild: Hommage an Steven Parrino“, Kunstmuseum St.Gallen, Switzerland, Curator: Konrad Bitterli. May 29– Sept 6.2009

Adrian Schiess, „Fetzen“ / Thom Merrick „brass sculpture“ Galerie Susanna Kulli, Zurich, 30.5. - 18.7.2009

“Olivier Mosset and Thom Merrick“, Christopher Grimes Gallery, Los Angeles, CA, USA. Apr 11 - May 16, 2009
"Auto. Dream and Matter " Curated by Alberto Martín, Laboral. Gijón, Spain May 15-September 21, 2009 traveling Dos de Mayo Art Center. Madrid, Spain October 2 2009- January 10, 2010. (Upcoming)
"Portrait de l’artiste en motocycliste / Portrait of the artist as biker" Collection of Olivier Mosset, Le Magasin, Grenoble, Centre National d´Art Contemporain, France, 11.10.09 - 03.01.10

2010
“Radical Postures“,Galerie Filles du Calvaire, Brussels/ Paris, May- July.2010

"Portrait de l’artiste en motocycliste / Portrait of the artist as biker" Collection of Olivier Mosset, Museum La Chaux-de-Fonds 3.16.2010- 8.12.2010
“Incognito“ Santa Monica Museum of Art, May 1, 2010

2011
“BIWAK III“,Galerie Schmidt Maczolle ,Cologne, 15.01. - 19.02.2011
“Incognito“ Santa Monica Museum of Art, April 30, 2011
“Larger Forces“ The RE Institute, May 1- May28, 2011, Organized by Elisabeth Ivers, New York

“IF WE CANNOT FREE OURSELVES, WE CAN FREE OUR VISION   (Mondrian 1942) “oqbo, raum für bild wort ton,  Berlin, 15. Oktober - 12. November 2011, concept by Rolf Ricke

2012
“Aspects of a New Kind of Realism
curated by Michael Klein“ Arthur Roger Gallery, New Orleans, Jan 7 - Feb 18, 2012

“Air“ centreculturelsaint-exupéry, Reims, March 22 to May 12, 2012
“MERRICK, MOSSET“ "Brooklyn 1992": Olivier Mosset and Thom Merrick, Gallery Susanna Kull, Zurich, 14 April - 14 May, 2012
,
“Smile“ Amerikansche Kunst, Sammlung Kienbaum, Kurator Rolf Ricke, Sept. 2– June 30, 2012 , Galerie Thomas Zander, Koln
"Ab in die Ecke!" May 5 - Aug 12 2012, Stadtische Kunstmuseum, Galerie Delmenhorst, Germany


*Exhibitions Catalogues (Selection)

„Documenta 9", Kassel, Edition Cantz, 1992
„Nur 72 Stunden", Die Wandelhalle, Forum für Kunst, Köln, 1992
„Im Rahmen der Ausstellung – Künstlergespräch mit Thom Merrick", engl., Edition Galerie Susanna Kulli, St.Gallen, 1996
„donald baechler, matthew mc.caslin, rachel khedoori, thom merrick, martin puryear, kathleen schimert, hanne tierney, jason rhoades", Stiftelsen Wanas Utställningar, Wanas Foundation, Knislinge, 1996
„Stilleben – Nature morte – Natura morta – Still life" Carte Blanche von Adrian Schiess, Helmhaus, Zürich, 1997
„Thom Merrick", Interventionen 8, Sprengel Museum Hannover, 1997
„504", ein Ausstellungsprojekt der Klasse John M Armleder, Hochschule für Bildende Künste, Braunschweig, 1997
„I love New York", Crossover der aktuellen Kunst, Museum Ludwig, Köln, Verlag DuMont, 1999
„Transfert: Kunst Im Urbanen Raum" Art dans l’espace Urban, Biel, 2000
„Le Fou dedoube / The Split Personality Madman" Château d’Oiron, France, La Société des collectionneurs d’Art Contemporain, Moskau, 2000
2005 Yves Aupetitallot, Private View 1980-2000: Collection Pierre Huber , JRP/Ringier ** catalogue
2006 What's New Pussycat?-Die Neuerwerbungen / New Acquisitions 2002-2005 Museum Fur Moderne Kunst, Frankfurt am Main /
Frankfurt am Main / Museum For Modern Art
2008 Sammlung: ROLF RICKE. A time document. Christiane Meyer-Stoll. Stuttgart 2008.. . 448P. The Kunstmuseum St. Gallen, the Kunstmuseum Liechtenstein and the MMK Museum of Modern Art in Frankfurt am Main together own the collection Rolf Ricke

Bibliography

1989
Smith, R. (1989, January 27). The East Village’s Art Galleries are Alive in SoHo. New York Times.
Smith,R. (1989, June 4). That Hails From the Land of Déjà Vu. The New YorkTimes.
Handy,A. (1989, September). Thom Merrick. Art in America.
Zinsser, J. (1989, December). Thom Merrick at American Fine Arts. Art in America, pp 174-175.
1990
o.A. (1990, March). o.T. Kölner Stadt-Anzeiger.
Rutyers, M. (1990, April). Thom Merrick. Kunst und Kultur.
Heymer, K. (1990, May/June). o.T. Flash Art.
Kulschwskil, R. (1990, May/June). Thom Merrick. Nike.
(1990, July 24). Reizvoll. Kölner Stadt-Anzeiger.
Lebrero Stals, J. (1990, August). Thom Merrick. Lapiz, p. 67.
Handy, E. (1990, September). Thom Merrick. Arts, p. 96
1991
Salsas, A. (1991). Espacio Internacional Emergences - Imagenes Jovenes. Exhibition catalogue. o.O*
Morisiani, P. (1991, April/May). New York. Juliet Art magazine, no. 52, p. 65.
Levin, K. (1991, March 6). o.T. Village Voice.
Smith, R. (1991, March 8). Thom Merrick. New York Times.
Levin, K. (1991, March 13). Slouching otwards the Millenium. Village Voice
Dector, J. (1991, May). Thom Merrick. Arts Magazine.
Borum, J. (1991, May). Thom Merrick. Pat Hearn Gallery. Artforum.
Mahoney, R. (1991, Summer). Thom Merrick. Flash Art.
Charles, O. (1991, Aout 31). Quand l’art New Yorkais s’exporte au Creux de L’Enfer. La Gazette, p. 20.
o.A. (1991, September). Le Creux de l’Enfer,Centre d’Art Contemporain. Artpress, no. 161, p. 112.
o.A. (1991, September). Expo: Thom Merrick/Jefrey Wisniewski. L’Ecran Culturel, p. 335.
Pultau,D. (1991, Nov/Dec). UnstableWorld - Thom Merrick at Zeno X Gallery. Artscribe, p. 96.
1992
o.A. (1992). o.T. Kunstforum, no. 119, p. 47.
Schneider, C. (1992). Nur 72 Stunden. Exhibition catalogue, Cologne*
Lemaitre, I. (1992, Feb/Mar). Thom Merrick – Zeno X Gallery. Tema Celeste, p. 122.
Bonetti, D. (1992, April 24). o.T. San Francisco Examiner.
Baker, K. (1992, May 2). Art with charm as ist lone redemtion. San Francisco Chronicle.
Hasse, A. (1992, November 12). Mit viel Optimismus über viele Fragen hinweg. Kölner Stadt-Anzeiger.
Schloss, C. (1992, December). Thom Merrick. Juliet, no. 60, p. 54.
1993
o.A. (1993, March 26). Thom Merrick. Tips and Termine.
o.A. (1993, May). BT. Monthly Art magazine. Japan.
Bratschi, I. (1993, December). Les ouevre de quatre artistes font expose l’espace Art & Public. Le Courrier. Geneva.
Grandjean. ( 1993, December 21). La Galerie Art & Publich se met en quatre. Le Nouveau Quotidien. Geneva.
Nyffenegger, F. (1993, December 2). Pluralite. Tribune de Geneve, p. 35.
1994
Türk,W. (1994, March). Bitte frei zusammensetzen. Münster
Norman, G. (1994, July 18). New Galleries reflects taste for Avant-Garde. The Independent.
Levin, K. (1994, July 19). Voice Choices, Universe. Village Voice.
Hasse, A. (1994, October 27). Baustelle der Hoffnungen. Kölner Stadtanzeiger.
Cotter, H. (1994, December 9). Critics Choices. The New York Times.
Puvogel, R. (1994, Dec/Jan). o.T. Artis.
1995
Vanheacke, P. (1995, July 15). Internationale moderne kunst in en rond Kunsthalle.
Het Volk.
Kaileu, J.P. (1995, September 1). Svikna forvantningar. Kufvudstadsbladet.
1996
Pallister, K. (1996). American Smörgasbord. Exhibiton catalogue,
published by Wanas Foundation – Knislinge. Sweden.
Strom, E. (1996, April 17). En konstnar full av motsagelser. Kristianstadsbladet,
p. 24.
Strom E. (1996, May 7). Gryningsfilm och utedass. Kristianstadsbladet.
Fresk, A.K. (1996, May 24). Amerikansk kultur i skansk natur. Kristianstadsbladet, p. 31.
Holmquist, A. (1996, May 28). Amerikaner pa Wanas. Norra Skane, p. 14. Sweden.
Mack, G. (1996, June). Thom Merrick in der Gallerie Susanna Kulli. Kunst Bulletin,
p. 38.
Hedquist, H. (1996, June 2). Fristad for instangd Amerikansk konst. Kristianstadsbladet,
p. 21.
Birnbaum, D. (1996, June 17). o.T. Dagens Nyheter. Sweden.
Betts, A.J. (1996, June 26). Installation med kor. BLT, p. 28.
Ahlstrom, C. (1996, June 27). o.T. Göteborg-Posten, p. 48. Sweden.
Kyander, P. (1996, July 8). Fran halmhydda till hemlighus. Sydsvenskan.
o.A. (1996, Summer). Americans at Wanas Park. Flash Art News.
Holm, E.L. (1996, Summer). Nature & Culture. Material , no. 29, p. 10.
Van der Heeg, E. (1996, Summer). Food for Thought. Material , no. 29, p. 11.
Mans, H.E. (1996, October). Eight American Artists in Sweden. Sculpture Magazine,
pp. 70-71.
1997
Diekmann, B.A. (1997).Thom Merrick, Street Level. Kunstforum International, pp. 212-215.
Taschitzki, T. (1997, February 5). Die Freiheit der Geste. Kölner Stadt-Anzeiger, p. 1.
o.A. (1997, February 5). Interveniert an der Sprengel-Museums-Strasse. Hannover Allgemeine Zeitung, p. 44.
o.A. (1997, February 6). Interveniert. Giessener Anzeiger, p. 37.
o.A. (1997, February 6). Schrottreifer Wagen als modernes Kunstwerk. Schwarzwälder Bote, p. 27.
o.A. (1997, February 8). Interveniert. Kreiszeitung Wesermarsch, p. 54.
o.A. (1997, February 8). Interveniert. Nordsee-Zeitung, p. 78.
Stange, R. (1997, April). Thom Merrick im Sprengel Museum Hannover. Kunst-Bulletin,
p. 41.
Vetsch,F.,Schatz,C. (1997, August). Street Level. Kunstforum International, pp. 212-215.
1998
(1998, March 6). Merrick und Welte. Neue Voralberger Zeitung.
(1998, March 7). Wer fürchtet sich vor Grün und Blau? Voralberger Nachrichten.
Badrutt Schoch, U. (1998, April 11). Als die Bilder fliegen lernten. St. Galler Tagblatt.
Johnson, K. (1998, June 12). Critics Choice – John Gibson Gallery. The New York Times.
Luz, K. (1998, November 12). Pop, Plop, Ex und Hopp. Die Zeit.
o.A. (1998, November 12). Der Herr Direktor liebt NY. Prinz Magazin, p. 19.
Vielhaber, C. (1998, November). Kreuzweise, Museum Ludwig „I love New York". Kunstzeitung, no. 27, p. 19.
Losel, A. (1998, November 12). Wir wollen, dass es knallt im Museum. Stern,
pp. 104-106.
1999
o.A. (1999). 100 Years of Art in Germany. Nationalgalerie Berlin.
o.A (1999). Advertisementcreatures. Kunstindex, Prinz no. 10, p. 127.
Schwabsky, B. (1999, January). Report from Sweden – Surrounded by Sculpture. Art in America, pp. 57-59.
Jocks, H.N. (1999, January). I love New York. Kunstforum International, pp. 334-335.
Johnson, K. (1999, February 19). A Romantic Pushes Minimalism to the Maximum. The New York Times.
Midgette, A. (1999, March 4). At P.S.1, MoMa finds New Space Across the River. The Wall Street Journal.
Karcher E. (1999, September 11). Liebe Menschen im Bus. Die elfte Open Art: EineTour durch Münchner Galerien. Der Tagesspiegel, no. 16810, p. 32. Munich.
Kittle, W. (1999, September 11). Thom Merrick. Radiosendung. Radio Aktuell B5. Munich.
Gliewe, G. (1999, September 15). Thom Merrick in der Lothringer-13. Abendzeitung, p. 7. Munich.
Vodicke S. (1999, September 15). Spiel der Leichtigkeit. Münchner Künstlerwerkstatt: Thom Merrick Tier-Serie. Münchner Merker, no. 213,p. 7.
Weskot, H. (1999, Oktober 18). Schildkröten und rätselhafte Werbewesen. Skulpturen von Thom Merrick in der Künstlerwerkstatt. Süddeutsche Zeitung, no. 241,
p. 21.
2000
Gockel, C. (2000, January). Thom Merrick – Advertisementcreatures. Kunstforum.
Beausse, P. (2000, January). Mayday. Art Press.
Levin, K. (2000, February 20). Under Pressur. The Village Voice.
2001
Johnson, K. (2001, February 23). Under Pressure. The New York Times, p. 37.
Gaug,Y. (2001, Mai 22). Tiere aus dem virtuellen Raum. St. Galler Tagblatt, p. 53.
2002
Busse, G.-M. (2002, November 18). Poesie des Profanen. Frankfurter Main Echo.
De Vries, J. (2002, November 25). Da stehen Affen Kopf. Frankfurter Rundschau,
(2002, November 26). Film im Kopf des Betrachters. Frankfurter
Allgemeine Zeitung
2005

.Jounnais, J.Y., 2005, Idiocy: The Exhibition, Beaux Arts Magazine/hors`serie, Jeu de Paume, pp,9-12 ** catalogue
Merrick, T. 2005 July/ August Vol.24 No.6 Working with Rolf Ricke, Sculpture Magazine International
Yves Aupetitallot, Private View 1980-2000: Collection Pierre Huber , JRP/Ringier ** catalogue
2006
Kittelmann, Udo and Gorner, Klaus
What's New Pussycat?-Die Neuerwerbungen / New Acquisitions 2002-2005 Museum Fur Moderne Kunst, Frankfurt am Main / Museum For Modern Art, Frankfurt.
Chaplin, Julia (2006, April 21) Art Blooms in the California Desert, The New York Times, (Travel)
2007
Thom Merrick in der Galerie Susanna Kulli.
19. April 2007, Neue Zürcher Zeitung
Pagel, David, Emphazising Looks Not Meaning, Los Angeles Times, May 19, 2007 Christopher Crimes Gallery, and Chung King Project, Los Angeles

Selected Public Collections:

Museum fur Moderne Kunst, MMK, Frankfurt a.m., Germany
Stedelijk Museum voor Actuele Kunst, Gent, Belgium
Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Microsoft Art Collection, Redmond
U.S.A
Wanås Foundation, Knislinge, SE Sweden

Neues Museum Weserburg Bremen, Germany
Neues Museum Nürnberg, Nürnberg, Germany
Kunstmuseum St.Gallen, Switzerland
Kolnischer Kunstverein, Cologne, Germany
Art Collection, HypoVereinsbank, Germany

 

Grants and Residencies:
Yaddo, Saratoga Springs, NY, March-April 2001
Yaddo, Saratoga Springs, NY, Aug -Sept 2002
Pollock/Krasner Award (painting) 2002-2003