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Cimbaloms
I've tinkered for years with a lighter-weight cimbalom design, trying to find something for the typical klezmer tsimbalist to use that won't break her back, something a gypsy can play on the street and be able to run with. A big problem has been the tuning schema: the traditional cimbalom is not systematic, and the very newest chromatic hammered dulcimer tunings, while systematic, are not traditional. Happily in the 1950's the Hungarians came up with a tuning that is more systematic yet preserves much of the traditional schema. One of these is in the works.
Shenandoah Valley Sheitholt
After examining and measuring a number of Valley instruments, I have produced several instruments that are a good, workable, recreation of this 18th century forerunner of the fretted dulcimer. They have a clear, sweet sound. Since they share many features with the Flemish hommel, I have set up a few with the hommel-style split fretboard which adds chromatics to the diatonic setup
Tambour de Bearne
After taking up playing the Provençal galoubet and tambourin, I was intrigued by the neighboring tradition in Béarn, where the one-handed flute is accompanied by a simple form of the hammered dulcimer, an unusual string drum. I created one for myself,
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